Bobby Rainmaker's Funsite

ALL BROKE AND/OR  FUCKED UP SHIT BELOW AND ELSEWHERE (on this site):  Also brought to you by Bobby Rainmaker...

 

 

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"Follow The Sun" Threepio

(Bobby Rainmaker's Detached Thumbnail SKETCH RMX)

Download (Concept Proof)

Download  (Final Mp3 - 196 CBR - 12.1 MB)

Download (Final WAV - 88.9 MB)

Download  (Final Mp3 - 320 CBR - 20.7 MB)

Download (Final WAV - 99.1 MB)

 

Mastered and is for sale at:

 

Google it bitch!!!

 

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"Sustainability" Justin Johnson

(Bobby Rainmaker RMX#1)

Download  (Mp3 - 16-320 CBR - 20.7 MB)

Download (WAV - 16 Bit - 91.6 MB)

 

 

 

 

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Bobby Original

Name Is Irrelevant At This Time

Programming, not vocal samples are the key to this track, needs discussion...

 

 

ArtPartySet (Live)

Download

First Frydaze Party Music (4-2-2010)

Download

 

Upload Files

 

Here's the latest mix by way of the podcast...

 


 

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Or you can get it right here...

 

"Yearlong December"

    Mixed By Bobby Rainmaker (December 2009)

 

This mix from Melodic, Minimal Techno, and evolves into pure Heavy Metal.
(Figuratively Speaking).  It will take all your troubles away...
It's like a damn 'Slap Chop'!!!
Download Stream

01

 Erlöst von Dieser Hoffnung

 Trondheim

02

 Take My Breath Away

 Gui Boratto

03

 Freaktor

 Kill Minimal

04

 Comfortably Numb

 Scissor Sisters

05

 Subtellite

 Timo Maas

06

 Timing

 Guy Gerber

07

 Claymore

 Joe And Will Ask?

08

 Armageddon (Original Mix)

 Loco and Jam

09

 Body and Mind

 Jack De Marseille

10

 Pitch Bitch (Original Mix)

 Jhz and Hyper

11

 Santiago (Guy Gerber Hotrod Dub)

 Bedrock

12

 Gigabrass

 Elia Crecchi

13

 Gnanmankoudji (Horny Monster Mix)

 Laurent Garnier

 

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Johan Afterglow

"TECHNOSATURDAY-ReRecorded-Compiled"

(1997)

 

 

VA - Frequency Adjustment Series - Transmission One [Zero One] - Funkturm

Mixed By Bobby Rainmaker

(May '08)

-Stream-

 

 

 

Funkturm Page

 

 

 

PLUS!!!

   ALL THE BROKE AND FUCKED UP SHIT BELOW AND ELSEWHERE (on this site):  also brought to you by Bobby Rainmaker.

 

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Nightmare Emulation in Vinyl - 2010

Plays: 74

 
Gig didn't go so well that night, it took my hour-and-a-half set to get half way through my third track, but the Memphis Massive didn't seem to mind (all twelve of them), as they were there to hear some fucking DUBSTEP...  Hellz yeah!  It didn't hurt my feelings...  It did piss me off enough to go home and put a few of the tracks in my record box together (aka Thumb Drive)...  These records deserve a better chance at a good first-run... 

YEARLONG DECEMBER - 2010

Plays: 74





ART PARTY (LIVE SET) - 2009

Plays: 74

I don't care who you are, this set rocks, and it does well at relating the eclectic nature of the ART PARTY that it aims to represent...


FUNKTURM - 2008

Plays: 74


 
 
 
 
 
 

STS-120

Plays: 74

STS-120
Minimal Techno with a bit of texture...

FUNKTIONAL ANESTHESIA  -  2007

Plays: 314

Tech with Electro and Progressive elements - lush and somewhat brooding...  Droning 4/4 Funk with some uplifts...  No hooks or epic shit.  Producers mostly German.

Salvation

Plays: 192

Deeper side of Progressive with Tribal elements.

First mix since '96 that I produce entirely in the digital domain.  At the time this was not necessarily something one would want to admit, but since Sasha and Digweed had been admitting it since '9~ when they actually "invented" the mix "CD" and take advantage of Pro Tools and engineers to publish a flawless mix from cover to cover.  I've had the chance to give it a great deal of thought, and for me, I realize that a perfect mix really is a gift to your listeners, but insisting on a manual delivery method can be many things, much of which your listener won't be able to appreciate relating to "YOU"... It's all about you.  I apologize to the 'purists', but I'm over the metaphor, and I can hear it every time you touch  the platter, so dont...  On the other hand, if people are there not just to hear what you might play, but to "watch your set"...

<ò¿ó>
 
 
 

Learning to Swim - 2001

Plays: 155

Deep Progressive/Deep Progressive Breaks from 2002.

Deep Progressive Breaks were the collision of Nu Skool and Progressive Trance, and they are deep and dark and beautiful things...  Hybrid had its birth in this environment.

ABSENCE D'ESPRIT - 2000

Plays: 110

Interesting NuSkool Breaks Mix from January, 2000.

Never released.



Dark Matter (Unreleased)

Plays: 110

Nu Skool (when even the term was fresh off the presses) and other Breaks Mix from January, 2000.  This is not a copy of something that was currently going on...

*Unreleased is an understatement.  This mix has never seen the light of day.  Several things happened in a row that caused it to just get tucked away...

It's really a shame too, because I'd met Rennie Pilgrem at Ultra's hotel room party waiting in line for the bathroom, and we became friends and met and hung out at a couple of other events at WMC 99, and in keeping in touch, he put me on his distro list for the Nu Skool Breaks samplers, 1 and 2.  Every track from both records is on here...  That was the start of it all...  i.e. what happened with Nu Skool Breaks.  Those records made a huge impact everywhere I played them, and only years later would I get the reports that I still have a hard time believing.

Volume 5

   

Plays: 117

Breaks/Progressive mix circa Y2K NYE.  There's a couple of white labels on here that you probably could never find if you started looking for them, and they are not simply just rare.

This is dedicated to my late friend, Kirk Greene.  This one's just for you, bud...

PROJECT '99 - 1999

Plays: 116

This one got around a bit... always getting stolen from folks, so I'd replace it...  Fine with me...  As a DJ, that's about the highest compliment one could get.
 
It moves back and forth between Progressive Breaks and Progressive Trance.
 
In general, the first half is breaks and at some point, it pops into a 4/4, and even so, just dripping with funk.  This mix has been huge for my career.
 

Mindfunk

Plays: 121

This mix is very organic acid breaks, electro and some other funky-ass shit until about 2/3rds through where it shifts into and finishes in hard tribal trance and house...
 
Good old mix.  I emphasise old, but it's still good and quite viable today. 
 
Have fun!
 
 
 

Headtrip (1997)

Plays: 41

This was my first mix after I moved back (home) to AR from NC, after having worked residencies at several clubs there while under a two-year apprenticeship with Mark "The Hitmann" Pezzella, who ran Quality Disc Jockeys and HittMix Studios, which were both subsidiaries of Quality Sound and Video - which had the entertainment contract for these clubs that I mentioned...  

A good portion of this time and under this arrangement, I worked as a direct understudy for Karson Douglas "Chuck" Tager - radio, studio, club, mobile - he'd done and was doing it all at that time, and I was very fortunate to have worked and roomed with him during a time when I was trying to figure out how to wrap my head around the damned thing as a whole, in a highly competitive club environment...

I'd moved to NC from Austin, TX, where I'd gotten involved with DJing and heavily involved with breakbeat... Texas Breaks, rather...

In Texas, having been tremendously inspired by DJs Scot Gray, and Michelangelo, and having the good fortune of being befriended by Mike C, who was a mentor and a prime force in helping me get my feet off the ground as a DJ, which has led to so many other good things...

I left Texas with a sound imprinted in my head, but was never able to re-create (or even rediscover) that Texas Breaks sound anywhere else I've ever traveled...  They not only do it different in Texas........

It's much Bigger and much Better in TEXAS...  That's no joke...  Now why is that?  It's not a rhetorical question...  Well other things too, but I'm talking about breakbeat...  with breaks, i don't have to mince words, I have a clue and it escapes me here...

It's the fucking groove and track...  Tracky ass breaks!!!

After I left Texas, I never could find anything I Really liked, like i liked texas breaks...  Sorry rest of my friends, rest of the world...

That's the fucking breaks... and you can find them in TX.

Possibly because of the records I was finding on the East Coast - mainly Satellite Records in NYC, from Justin Johnson, who has become one of my very best friends over the years, and was kind enough to be my Best Man at my wedding in LV (between gigs) - and also from Kimmee "DJ Storm" Drakontitis from West Palm Beach, who's a cool mofo, and I appreciate him hooking me up w/ some badass shit back in the day...  Won't forget it...

But I just never could get back to Texas with the music, or find anything like it elsewhere... 


So, this mix is that Texas feeling I had inside me, but with only one record purchased in Austin from Alien, and it was an import. ??

While I wasn't trying to represent or re-create, necessarily, a certain sound, the feelings that forced this mix into existence were the lingering effects of a high that was gained from spending 93 to 95 in the Austin area.

It was a very special time there, and none of the above work would exist if it weren't for the incredible talent and presence of Scot and Mike, Mike C.  and all that came before...  and my pure, dumb luck... To all the people I've mentioned: Thanks All!!!


I put this mix out originally around July '97 or thereabouts. It has a gap in the middle from having a cassete tape as a a master, but I don't think it hurts it that much...

This mix is pure breakbeat, electro-funk, acidic mayhem, D&B at 33, some other shit I don't know what to call, and some Nu-Skool sounding tracks, however, Rennie Pilgrem hadn't put out the Kickin' samplers yet....  and wouldn't for almost a year-and-a-half and some change...

Some people around me called the stuff I was playing at the time (in Little Rock, mind you...) "Experimental Breaks", but not to my face, and of course they were not "experimental", they were just grungy and not from California or Florida... CA and FLA are well represented throughout in this compilation however...

BTW, this mix never had any original artwork, so I've substituted a photo of my Mindwarp (Too) sleeve from Stress Records, a record that was given to me by Mike C. has been greatly appreciated, and kindly signed by John Debo...  Thanks for understanding...

Fun times...

Enjoy!!!

BR


 

(Matthew)

Mixmeister Fusion and Video

Ableton

Wavelab 5

 

(For Ken/Alisa)

Real Player 11 w/ Activator

 

(For Pete)

Replay Music

 

(For Carla)

Folder With Stuff For Carla

 

(For Bryce)

DJ Shadow Interview - Remix Magazine

 

(For Mom)

Requested XXX Porn and Army Surplus Links

 

(For Justin)

BioDrummer Setup

 

(For Pete)

Replay Music

 

(For Ashley)

The FunProfessor's Custom Pages

 

(For Dana)

Cool Shit

 

(For Brenna)

Out of Context

 

I Say Fuck The Sun